James Stirling

From Archiplanet

Jump to: navigation, search
James Stirling
Born 1926; Glasgow, Scotland, United Kingdom
Died June 26, 1992; London, England, United Kingdom
Education Liverpool University
Firms James Stirling & James Gowan; James Stirling; James Stirling Michael Wilford & Associates
Notes
At Great Buildings http://www.GreatBuildings.com/architects/James_Stirling.html

Contents


Works

Discussion

(b. Glasgow, Scotland 1926)

James Stirling was born in Glasgow, Scotland in 1926. From 1945 to 1950 he trained in the Beaux Arts tradition at Liverpool University. He worked with Lyons, Israel & Ellis in London for several years before he formed a partnership with James Gowan. Influenced by the later designs of Le Corbusier and the theories of the Smithsons, Stirling and Gowan produced several influential buildings which started a trend toward brick and exposed concrete.

Stirling's early designs, especially for Cambridge and Oxford, often emphasized concept over aesthetic and utilitarian needs. His later works appeared more formal due to their influence from Post-Modern classicism. Criticized for his ability to continually alter his fundamental architectural principles, Stirling uses an experimental design approach that shows little commitment to one particular style.

Details

Recipient of the Japan Art Association's Praemium Imperiale, 1990

Recipient of the Pritzker Architecture Prize, 1981.

Life

After wartime service, Stirling studied architecture from 1945 until 1950 at the University of Liverpool. In 1956 he and James Gowan left the firm of Lyons, Israel, and Ellis to set up in practice as Stirling and Gowan. The best-known result of this collaboration is the Faculty of Engineering at the University of Leicester (1959-63), noted for its technological and geometric character, marked by the isometry from a bird's eye perspective, which was frequently used by Stirling. From 1963 he managed the firm alone.

In 1971, Michael Wilford, who had worked in the firm since 1960, became a partner and remained so until Stirling's death, though he had little influence on the design activity of the practice, which remained very much under the control of Stirling, assisted by hand-picked helpers. During the 1970s, the architectural signature of Stirling began to change as the scale of his projects (perhaps under the efficient managerial influence of Wilford) moved from small and not very profitable to very large, as Stirling's architecture became more overtly neoclassical, though it remained deeply imbued with his powerful revised modernism. This produced a wave of dramatically spare, large-scale urban projects, most notably three important museum projects in Germany (for Duesseldorf, Cologne, and Stuttgart). These projects of the 1970s show him at the zenith of his mature style. Winning the competition for the Stuttgart project - the Neue Staatsgalerie- he loaded its powerful basic concept with a large number of architectural amusements and decorative allusions, which led many to mistakenly see it as an example of postmodernism - a label which then stuck, but which he himself rejected. In 1981, he was awarded the renowned Pritzker Prize.

The last building completed while he was still alive was the bookshop in the gardens of the Venice Biennale (completed 1991). This was designed by Stirling and Thomas Muirhead, who pushed him towards a sparer, less overblown and more selfconsciously modernist approach. The Venice Bookshop was greeted by critic Kenneth Frampton and others as the beginning of a new, and potentially very important departure in Stirling's work - had he not sudddenly died, due to an unfortunate botched minor hospital operation. Just before this incident he was granted a knighthood (1992) which as a rebellious spirit, he accepted with some reluctance on the grounds that "it might be good for the office".

After the death of Stirling in 1992, Wilford took over and gradually wound the firm down whilst completing the work that remained in the pipeline and had been left by Stirling at various stages of development. Various buildings completed thereafter and often carelessly attributed to Stirling, such the State University of Music and Performing Arts Stuttgart, 1993-1994, or No 1 Poultry in London, were in fact completed and built by Wilford and his assistants. The practice no longer exists, and the complete office archive was sold to the Canadian Centre for Architecture in Montréal. The Stirling Prize, a British annual prize for architecture since 1996, was named after him.

The cultural depth and richness of Stirling's work attracted the attention of all the major world critics and theoreticians, from Peter Eisenman to Charles Jencks, and the literature examining his architecture, published in every country of the world, is vast. For those seriously interested, the best starting point for further study is the two published books of his complete works, which he oversaw himself, aided by trusted friends and collaborators. These two books chronologically cover every project and emphasise the visual, with thousands of very carefully reproduced photographs, drawings, and models.

Details


References

External Links

James Stirling Pritzker Prize — Several pages of good background information, at the Pritzker Prize site.

Personal tools