Marcel Breuer

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Marcel Breuer
Born May 21, 1902; Pécs, Hungary
Died July 1, 1981; New York, N.Y.
Education Bauhaus
Firms Partnered with Walter Gropius mid-1930s to 1941.
Notes
At Great Buildings http://www.GreatBuildings.com/architects/Marcel_Breuer.html

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Works

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Works at Archiplanet

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Discussion

( b. Pecs, Hungary 1902; d. New York, N.Y. 1981)

Marcel Breuer was born in Pecs, Hungary in 1902. He studied at Allami Foreaiskola, at Pecs, and at the Bauhaus in Weimar where he graduated in 1924. He taught at the Walter Gropius. He operated a New York practice from 1946 until his retirement in 1976.

Breuer's early projects in the United States were largely domestic, but in 1952 he worked with Nervi and Zehrfuss as architect for the UNESCO headquarters in Paris. This prestigious work carried his practice into the international field.

Breuer's buildings were always distinguished by an attention to detail and a clarity of expression. Considered one of the last true functionalist architects, Breuer helped shift the bias of the Bauhaus from "Arts & Crafts" to "Arts & Technology". Many pieces of modern, tubular steel furniture in use today, including the Cesca and Wassily chairs by Breuer himself and still in production, can trace their origins back to the Breuer experiments of the mid-20's.

Breuer died in New York in 1981.


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Related Content at Wikipedia

Marcel Breuer

Marcel Lajos Breuer ( 21 May 1902 Pécs, Hungary – 1 July 1981 New York City), architect and furniture designer, was an influential Hungarian-born modernist of Jewish descent. One of the fathers of Modernism, Breuer showed a great interest in modular construction and simple forms.

Life and work

Known as Lajkó, Breuer studied and taught at the Bauhaus in the 1920s, stressing the combination of art and technology, and eventually became the head of the school's cabinet-making shop. He later practiced in Berlin, designing houses and commercial spaces, as well as a number of tubular metal furniture pieces, replicas of which are still in production today.

Perhaps the most widely-recognized of Breuer's early designs was the first bent tubular steel chair, later known as the Wassily Chair, designed in 1925 and was inspired, in part, by the curved tubular steel handlebars on Breuer's Adler bicycle. Despite the widespread popular belief that the chair was designed for painter Wassily Kandinsky, Breuer's colleague on the Bauhaus faculty, it was not; Kandinsky admired Breuer's finished chair design, and only then did Breuer make an additional copy for Kandinsky's use in his home. When the chair was re-released in the 1960s, it was designated "Wassily" by its Italian manufacturer, who had learned that Kandinsky had been the recipient of one of the earliest post-prototype units.

In the 1930s, due to the rise of the Nazi party in Germany, Breuer relocated to London. While in London, Breuer was employed by Jack Pritchard at the Isokon company; one of the earliest introducers of modern design to the United Kingdom. Breuer designed his Long Chair as well as experimenting with bent and formed plywood. Breuer eventually ended up in the United States. He taught at Harvard's architecture school, working with students such as Philip Johnson and Paul Rudolph who later became well-known U.S. architects. (At one point Johnson called Breuer "a peasant mannerist".Franz Schulze. Philip Johnson: Life and Work. University of Chicago Press. 1996. Page 270. ISBN 0226740587) At the same time, Breuer worked with old friend and Bauhaus colleague Walter Gropius, also at Harvard, on the design of several houses in the Boston area.

Breuer dissolved his partnership with Gropius in May 1941 and established his own firm in New York. The Geller House I of 1945 is the first to employ Breuer's concept of the 'binuclear' house, with separate wings for the bedrooms and for the living / dining / kitchen area, separated by an entry hall, and with the distinctive 'butterfly' roof (two opposing roof surfaces sloping towards the middle, centrally drained) that became part of the popular modernist style vocabulary. A demonstration house set up in the MOMA garden in 1949 caused a new flurry of interest in the architect's work, and an appreciation written by Peter Blake. When the show was over, the "House in the Garden" was dismantled and barged up the Hudson River for reassembly on the Rockefeller property in Pocantico Hills near Sleepy Hollow.

The 1953 commission for UNESCO headquarters in Paris was a turning point for Breuer: a return to Europe, a return to larger projects after years of only residential commissions, and the beginning of Breuer's adoption of concrete as his primary medium. He became known as one of the leading practitioners of Brutalism, with an increasingly curvy, sculptural, personal idiom. Windows were often set in soft, pillowy depressions rather than sharp, angular recesses. Many architects remarked at his ability to make concrete appear "soft".

Breuer is sometimes incorrectly credited, or blamed, for the former Pan Am Building (now the MetLife Building), a high-rise in New York City considered to be unpopular. The Pan Am was actually credited to Walter Gropius. In 1969 Breuer developed a 30-story proposed skyscraper over Grand Central Terminal, called "Grand Central Tower", which Ada Louise Huxtable called "a gargantuan tower of aggressive vulgarity,"Ada Louise Huxtable. On the Right Track. The New York Times. November 28, 1994. and became a cause celebre. Breuer's reputation was damaged, but the legal fall out improved the climate for landmark building preservation in New York City and across the United States.

Works (partial list)

Private residential buildings (U.S.)

  • Hagerty House, Cohasset, MA. 1937-1938
  • Breuer House I, Lincoln, MA. 1938-1939
  • J. Ford House, Lincoln, MA. 1939
  • Chamberlain Cottage, Wayland, MA. 1940
  • Geller House, Lawrence, Long Island, NY. 1945
  • Robinson House, Williamstown, MA. 1946-1948
  • Breuer House II, New Canaan, CT. 1947-1948
  • Marshad House, Croton-on-Hudson, NY 1949
  • Cape Cod Cottages
    • Breuer Cottage, Wellfleet, MA. 1945-1949-1961
    • Kepes Cottage, Wellfleet, MA. 1948-1949
    • Edgar Stillman Cottage, Wellfleet, MA. 1953-1954
    • Wise Cottage, Wellfleet, MA. 1963
  • Exhibition House in the MoMA Garden, Pocantico Hills, Tarrytown, NY. 1948-1949
  • Clark House, Orange, CT. 1949-1951
  • Pack House, Scarsdale, NY. 1950-1951
  • Dexter Ferry Cooperative House of Vassar College, Poughkeepsie, NY. 1951
  • Grieco House, Andover, MA. 1954-1955
  • Starkey House, Duluth, MN, 1954-1955
  • Hooper House II, Baltimore County, MD. 1956-1959
  • Stillman I, Litchfield, CT. 1950
  • Stillman II, Litchfield, CT. 1966
  • Stillman III, Litchfield, CT. 1974-75
  • Roman Cottage, Litchfield, CT. 1974-75 (Breuer Cottage design; Built by Rufus Stillman)

Public / commercial buildings

Furniture

  • African chair, Collaboration with the Bauhaus weaver Gunta Stölzl
  • Sun Lounge Chair, Model No. 301
  • Dressing Table & Bureau. 1922, 1925
  • Slatted chairs (wood). 1922–24
  • Wassily Chair No.B3. 1925
  • Laccio Tables, small & large. 1927
  • Wassily chair, folding. 1927
  • Cesca Chair & Armchair. 1928
  • Thornet Typist’s Desk. 1928
  • Coffee Table. 1928
  • Tubular steel furniture. 1928–29
  • F 41 lounge chair on wheels. 1928–30
  • Broom Cupboard. 1930
  • Bookcase. 1931
  • Armchair, Model No.301. 1932–34
  • Aluminium chair. 1933
  • Isokon chairs. 1935
  • Aluminium chaise longue. 1935–36
  • Plywood furniture (five pieces). 1936–37

References

  • VV.AA., "4 Centenarios. Luis Barragán, Marcel Breuer, Arne Jacobsen, José Luis Sert", Valladolid, España, 2002, Universidad de Valladolid, ISBN: 84-8448-199-9

External links

In popular culture








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Above content from Wikipedia available under GFDL retrieved Sat, 17 May 2008 17:45:26 -0700
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References

  • Dennis Sharp. The Illustrated Encyclopedia of Architects and Architecture. New York: Quatro Publishing, 1991. ISBN 0-8230-2539-X. NA40.I45. p28-29.</font>
  • Marcel Breuer was the AIA Gold Medal recipient in 1968.
  • Robert F. Gatje, et al. Marcel Breuer : A Memoir. Foreword by I.M. Pei. Monacelli Press, October 2000. ISBN 1580930298. — Available at Amazon.com
  • David Masello. Architecture Without Rules : The Houses of Marcel Breuer and Herbert Beckhard. W.W. Norton & Company, February 1996. ISBN 0393313751. — Available at Amazon.com
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External Links

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