Temple at Tarxien Malta

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Temple at Tarxien, Malta
Designer unknown
Location Tarxien, Malta
Date -2100 to -1900
Building Type temple
Climate mediterranean
Context rural
Architectural Style Neolithic
Street Address
Notes Corbeled ceiling structures.
At Great Buildings http://www.GreatBuildings.com/buildings/Temple_at_Tarxien_Malta.html

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[edit] Discussion

UNESCO World Heritage Sites
Name Tarxien Temples, Megalithic Temples of Malta
UNESCO State Party Malta
Region Europe and North America
Type Cultural
Criteria iv
UNESCO Site ID 132
Year of Listing 1980



Building Details



Commentary

"The temple was "formally planned, had concave monumental fa�ades, trilithion entrance passages, and pairs of lateral and terminal chambers built of tooled orthostatic and megalithic blocks. The inner chambers could be closed off by doors. Successive courses were corbelled, allowing the roof-openings to be narrowed, before being closed with beams and thatch, the earliest known use of this method of construction; it has been suggested that contemporary terra cotta models and engravings of fa�ades were prepared in advance of building to show what was required. Some of the stones were decorated with spiral relief carvings, and the temples were probably plastered internally and then painted"

— Deborah Fritz from Sir Banister Fletcher. A History of Architecture. p201.


[edit] Related Content from Wikipedia

Tarxien Temples

The Tarxien Temples () are an archaeological complex in Tarxien, Malta. They date back to approximately 2800 BC. The site was accepted as a UNESCO World Heritage Site in 1980 along with the other Megalithic temples on the island of Malta.

Description

The Tarxien consist of three separate, but attached, temple structures. The main entrance is a reconstruction dating from 1956, when the whole site was restored. At the same time, many of the decorated slabs discovered on site were relocated indoors for protection at the Museum of Archaeology in Valletta. The first temple has been dated to approximately 3100 BC and is the most elaborately decorated of the temples of Malta. The middle temple dates to about 3000 BC, and is unique in that, unlike the rest of the Maltese temples, it has three pairs of apses instead of the usual two. The east temple is dated at around 3100 BC. The remains of another temple, smaller, and older, having been dated to 3250 BC, are visible further towards the east.

Of particular interest at the temple site is the rich and intricate stonework, which includes depictions of domestic animals carved in relief, altars, and screens decorated with spiral designs and other patterns. Demonstrative of the skill of the builders is a chamber set into the thickness of the wall between the South and Central temples and containing a relief showing a bull and a sow.

Function in prehistory

Excavation of the site reveals that it was used extensively for rituals, which probably involved animal sacrifice. Especially interesting is that Tarxien provides rare insight into how the megaliths were constructed: stone rollers were left outside the South temple. Additionally, evidence of cremation has been found at the center of the South temple, which is an indicator that the site was reused as a Bronze Age cremation cemetery.

Discovery and history

The large stone blocks were discovered in 1914 by local farmers ploughing a field. After the accidental discovery of the nearby Hypogeum in 1913, the proprietor of the land underneath which the temples were buried figured that the large stones that were continually struck by workers' ploughs may also have had some archaeological value. On that notion, he contacted the director of the National Museum, Sir Themistocles Zammit, who began to dig even on his first inspection of the site, where he discovered the center of the temple compound. It was not long before Zammit found himself standing in what appeared to be an apse formed by a semi-circle of enormous hewn stones. Over the course of three years, Zammit enlisted the help of local farmers and townspeople for an excavation project of unprecedented scale in Malta. By 1920, Zammit had identified and carried out restoration work on five separate but interconnected temples, all yielding a remarkable collection of artifacts, including the famous "fat lady" statue (a representation of a Mother Goddess or a fertility charm), and several unique examples of prehistoric relief. Further excavations at the temples were conducted in the post-World War II period under the directorship of Dr. J.G. Baldacchino.

Significance

The discovery of the complex did much to further Malta's national identity, solidly confirming the existence of a thriving ancient culture on the island. Also, the general interest aroused by the finds engendered for the first time a public concern for the protection of Malta's historical treasures, including a need for management of the sites, the promulgation of laws, and other measures to protect and preserve monuments. At the same time, Sir Zammit's thorough method in excavating the site paved the way for a new scientific approach to archaeology.

External links

References

de:Tempel von Tarxien es:Templos de Tarxien ko:타르시엔 신전 lt:Taršyno šventyklos

Above content from Wikipedia available under GFDL retrieved Thu, 24 Jul 2008 20:28:34 -0700


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[edit] References

Roger H. Clark and Michael Pause. Precedents in Architecture. New York: Van Nostrand Reinhold, 1985. linear organization diagram, p196. transition diagram, p207.— Updated edition available at Amazon.com

Sir Banister Fletcher. A History of Architecture. Boston: Butterworths, 1987. ISBN 0-408-01587-X. NA200.F63 1987. discussion, p201.

Henry A. Millon, ed. Key Monuments of the History of Architecture. New York: Harry N. Abrams, 1964. exterior photo of entrance, p19.

Henri Stierlin. Comprendre l'Architecture Universelle 1. Paris: Office du Livre S.A. Fribourg (Suisse), 1977. longitudinal section drawing of the middle megalithic temple, p43. longitudinal section of the first megalithic temple, p43. facade elevation drawing of first megalithic temple, p43. reconstructed plan drawing, p42-43.

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